ETC Selador Series helps climate change summit in Copenhagen
Demonstrating
their ‘green’ credentials, ETC’s award winning Selador Series of LED fixtures
received their first major European outing at the COP15 Climate Change summit
in Copenhagen in December 2009. At the end of the summit, the attending world
leaders were invited to the Royal Danish Theatre for a performance of the
ballet Napoli by August Bournonville.
In among
the house rig of ETC Source Four Revolutions and Vari-Lite VL3500Q moving
lights – both chosen for their quiet operation – lighting designer Mikki Kunttu
used Selador Vivid for sidelights and cyc lighting and Selador Lustr for
lighting set pieces. He explains: “When we first started planning the show
lighting, we talked a lot about how to make the production as ‘green’ as
possible. We even considered getting rid of conventional lighting completely,
but this proved to be impossible. Using LED for sidelights was something new
for me and they worked really well – I was very impressed.
“I was
sceptical until now because previously I’d considered that neither the dimming
nor the power were quite there yet. But this time, they were fantastic, with
the colours especially good. We had no problems whatsoever with dimming.”
Thomas
Bek Jensen, the theatre’s head of lighting, continues: “For some time, the
Royal Danish Theatre has wanted to become more power efficient and the climate
change summit, when we would be on show to the most important people in the
world, gave us a good opportunity to see what was available. With Selador
powerful enough to light the entire cyc from bottom to top by just placing a
row on the ground, pointing up, that meant the theatre could replace an entire
wall of ancient 1,500W cyc lights totalling 100,000W with a single row of
Selador totalling more like 1,000W.
“From
the wings, the Selador fixtures were focussed just above the floor, so that the
light was on the dancers’ bodies and not their feet. This was a pleasant
surprise for many of them, because they are used to being blinded by the side
booms so that they can’t see the floor. After initial curiosity about the
lights, they were all very happy.”
Kunttu
also used some ETC Source Four Revolution automated zoom profiles to help
create an underwater scene in Act II. They came as part of the house lighting
rig, and, he adds, “they are fantastic fixtures. Looking from a practical point
of view, they’re really silent – in opera houses, noise from moving lights can
be a big problem, so having a fixture which doesn’t make too much noise is a
major positive point for us.”
ETC
Selador Series consists of three fixture lines: – Paletta, Lustr and Vivid-R –
all of which are optimised to different uses. They have a common feature: the
patented x7 Color System which offers the broadest spectrum LED colour
available and saturated colour brightness levels that can rival or surpass the
outputs of tungsten lighting fixtures, but using up to 90% less power. Lustr is
best for whites and skin tones; Paletta for soft pastel colours; and Vivid-R
for strong saturated colours. Within the Vivid line are three models: the Vivid-R,
and the new powerful twins Vivid Fire and Vivid Ice. As the names suggest, Fire
offers warm reds, while Ice specialises in cool blues, allowing the user to
move from afternoon to sunset or from twilight to romantic moonlit nights.
Selador
is designed specifically for theatre use, to provide flattering skin tones,
making the colours in costumes stand out and skin look natural. Even in the
deep blue shimmering sea of Napoli’s Act II, skin tones still do not appear
unpleasant or harsh as they can with other LED fixtures.
Thomas
concludes: “The theatre is funded by government grants and has a have huge
power bill which we’d love to reduce as much as possible. We are hoping to get
funding to change all our outdated and inefficient equipment as soon as we can,
because if we change all the equipment, we can save a lot of money each year.”
You can
see the video of Mikki and Thomas talking about their use of Selador along with
images from the show on ETC’s YouTube video library, which can be found at